Recent Articles

Recent Articles by Andrew Marcus

  • Gob Iron

    Death Songs for the Living (Legacy)

  • Unknown Legend

    Roots renegade Joe Ely never achieved pop stardom, but that's all right by him . . . sorta.

  • Gogol Bordello

    With Valient Thorr and Dan Sartain. Sunday, December 17, at the House of Blues.

  • Desa

    With RX Bandits, State Radio, and Monty Are I. Saturday, July 8 (early show), at the Grog Shop.

  • The Futureheads

    News and Tributes (StarTime/Vagrant)

National Features >

  • Broward-Palm Beach New Times

    Sexual Healing

    For Florida's sole remaining sex surrogate, love is a many splintered thing.

    By Michael J. Mooney

  • City Pages

    Your Friendly Neighborhood War Profiteer

    It's not just giant companies cashing in on America's defense industry.

    By Jeff Severns Guntzel

  • The Pitch

    Supersizing Sonic

    How a throwaway idea at the Barkley ad agency became the "Sonic Guys."

    By Justin Kendall

  • Houston Press

    Temples of Tex-Mex

    A diner's guide to Texas's oldest Mexican restaurants.

    By Robb Walsh

Low

By Andrew Marcus

Published on January 25, 2006

Even the best bands -- and Low is one of the most engrossing of the past decade -- indulge in the occasional harebrained scheme. The Minnesota trio's new EP, Tonight the Monkeys Die, farms out "Monkey," from last year's uncharacteristically accessible The Great Destroyer, for remix by five artists, including indie celebs Stephin Merritt and Bob Mould. The results are all tacky, save for the interpretation by Fog, which stirs in jangle and moog, adding melody to the incantational original.

But cut them some slack. Singing spouses Alan Sparhawk (painterly guitar) and Mimi Parker (supple drums), along with bassist Zak Sally, are otherwise at the peak of their craft. The Great Destroyer marked their turn away from the wintry atmospherics that landed them at the vanguard of the hilariously named slowcore movement, striking a tuneful new vein that's more diverse and direct than any of their previous work. Would-be remixers should find something else to futz with.