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Recent Articles by Andrew Marcus
Death Songs for the Living (Legacy)
Roots renegade Joe Ely never achieved pop stardom, but that's all right by him . . . sorta.
With Valient Thorr and Dan Sartain. Sunday, December 17, at the House of Blues.
With RX Bandits, State Radio, and Monty Are I. Saturday, July 8 (early show), at the Grog Shop.
News and Tributes (StarTime/Vagrant)
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From Ugly Broads to singing cops, we tour Cleveland's country dives with Hayshaker Jones.
Blues singer triumphs over a totally messed-up childhood.
What's attacking the people of Avon Lake?
National Features >
Broward-Palm Beach New Times
For Florida's sole remaining sex surrogate, love is a many splintered thing.
By Michael J. Mooney
City Pages
It's not just giant companies cashing in on America's defense industry.
By Jeff Severns Guntzel
The Pitch
How a throwaway idea at the Barkley ad agency became the "Sonic Guys."
By Justin Kendall
Houston Press
A diner's guide to Texas's oldest Mexican restaurants.
By Robb Walsh
Low
Published on January 25, 2006
Even the best bands -- and Low is one of the most engrossing of the past decade -- indulge in the occasional harebrained scheme. The Minnesota trio's new EP, Tonight the Monkeys Die, farms out "Monkey," from last year's uncharacteristically accessible The Great Destroyer, for remix by five artists, including indie celebs Stephin Merritt and Bob Mould. The results are all tacky, save for the interpretation by Fog, which stirs in jangle and moog, adding melody to the incantational original.
But cut them some slack. Singing spouses Alan Sparhawk (painterly guitar) and Mimi Parker (supple drums), along with bassist Zak Sally, are otherwise at the peak of their craft. The Great Destroyer marked their turn away from the wintry atmospherics that landed them at the vanguard of the hilariously named slowcore movement, striking a tuneful new vein that's more diverse and direct than any of their previous work. Would-be remixers should find something else to futz with.