There’s nothing wrong with the disc that isn’t wrong with the rest of the genre. Ornate, piano-esque keyboards may or may not have a place in metal, and you can argue all day about whether songs like “Rise of the Daemon” are a little too melodic. But there’s no debating the guitar work of Vanek and rhythm specialist Spencer Phillips. And whether your primary metal reference is Avenged Sevenfold or Maiden, you haven’t heard a shredfest like “Cyberplague” in years — if ever.
This article appears in May 30 – Jun 5, 2007.

