Recent Articles

Recent Articles by Michael Gallucci

National Features >

  • Broward-Palm Beach New Times

    Sexual Healing

    For Florida's sole remaining sex surrogate, love is a many splintered thing.

    By Michael J. Mooney

  • City Pages

    Your Friendly Neighborhood War Profiteer

    It's not just giant companies cashing in on America's defense industry.

    By Jeff Severns Guntzel

  • The Pitch

    Supersizing Sonic

    How a throwaway idea at the Barkley ad agency became the "Sonic Guys."

    By Justin Kendall

  • Houston Press

    Temples of Tex-Mex

    A diner's guide to Texas's oldest Mexican restaurants.

    By Robb Walsh

The Hives

The Black and White Album (A&M/Octone)

By Michael Gallucci

Published on November 28, 2007

Hip-hop producer Pharrell Williams steps behind the boards for a pair of songs on the Hives' fourth CD. But The Black and White Album is no makeover — the band pretty much sticks to the two-chords/two-minutes principle that made it Sweden's chief contribution to the garage revival five years ago. A mid-song breakdown in "Well All Right!" and "T.H.E.H.I.V.E.S."' disco stomp are the only signs that Pharrell's space-age funk paid a visit to Howlin' Pelle Almqvist and crew. Otherwise, it's the usual amps-to-11 and hey-does-this-rhyme? shtick ("When times are hardy — Giddy up!/We throw a party — Giddy up!" goes the chorus of one cut). And like all Hives records, The Black and White Album loses steam after about 15 minutes. Still, the explosive opener "Tick Tick Boom" proves that they're good for at least one ear-ringing blast.