Recent Articles

Recent Articles by Matt Gorey

  • Pitch Black Forecast

    Absentee (Fractured Transmitter)

  • Opeth

    With 3, Dream Theater, and Between the Buried and Me. Saturday, May 17, at Time Warner Cable Amphitheater at Tower City.

  • Salt the Wound

    Carnal Repercussions (Rotten)

  • BoDeans

    With G.B. Leighton. Saturday, April 12, at House of Blues.

  • Pale Hollow

    Pale Hollow (Times Beach)

National Features >

  • Broward-Palm Beach New Times

    Sexual Healing

    For Florida's sole remaining sex surrogate, love is a many splintered thing.

    By Michael J. Mooney

  • City Pages

    Your Friendly Neighborhood War Profiteer

    It's not just giant companies cashing in on America's defense industry.

    By Jeff Severns Guntzel

  • The Pitch

    Supersizing Sonic

    How a throwaway idea at the Barkley ad agency became the "Sonic Guys."

    By Justin Kendall

  • Houston Press

    Temples of Tex-Mex

    A diner's guide to Texas's oldest Mexican restaurants.

    By Robb Walsh

Pale Hollow

Pale Hollow (Times Beach)

By Matt Gorey

Published on December 19, 2007

Pale Hollow mastermind Michael Allen is a songwriter's songwriter. He's aware that a tune needs more than just a catchy chorus. And even though the hooks come fast and furious on Pale Hollow's debut, Allen builds on his acoustic skeletons with an array of instruments to form a melodic slice of pop rock. Pale Hollow was originally going to be a solo acoustic project, but Allen recruited some Detroit musicians to give the record a richer sound: The pedal steel in "Don't It Leave You Lonely" and the tuneful electric guitar of "Gustav's Dream" enhance the songs without obscuring their hooks. Allen has since teamed up with local guys and performs around town as the Black Amps, who play much of this sublime album live.