Most Popular
"Most Popular" tools sponsored by:
Blogs
Fri Jun 20, 10:19 AM
Fri Jun 20, 8:58 AM
Recent Articles
Recent Articles by Michael Gallucci
The Virgins (Atlantic)
With Goldfinger and Suburban Legends. Tuesday, July 8, at House of Blues.
Square Pegs on DVD tops this week's pop-culture picks.
Related Articles
With Misery Index and Kataklysm. Sunday, May 2, at the Agora Theatre.
With Fall Out Boy, the Starting Line, Motion City Soundtrack, and Panic at the Disco. Saturday, October 1, at Tower City Amphitheater.
With Throwdown and Fear Before the March of Flames. Tuesday, September 14, at Peabody's.
National Features >
Broward-Palm Beach New Times
For Florida's sole remaining sex surrogate, love is a many splintered thing.
By Michael J. Mooney
City Pages
It's not just giant companies cashing in on America's defense industry.
By Jeff Severns Guntzel
The Pitch
How a throwaway idea at the Barkley ad agency became the "Sonic Guys."
By Justin Kendall
Houston Press
A diner's guide to Texas's oldest Mexican restaurants.
By Robb Walsh
Killswitch Engage
With Every Time I Die, Parkway Drive, and the Dillinger Escape Plan. Tuesday, January 29, at House of Blues.
Published on January 23, 2008
Boston metal monsters Killswitch Engage tear through their latest CD, 2006's As Daylight Dies, like they have just one night to right some unnamed wrong. Singer Howard Jones loads up on melodic howls that transport the band to a tuneful territory most of its contemporaries stay far, far away from. A pair of guitarists pull Jones along, shredding most mightily in songs like "Daylight Dies," "My Curse," and "The Arms of Sorrow," which details yet another engaging band quality: its ability to play soft once in a while.
Tour openers Every Time I Die steep their metalcore in a working-class awareness that mirrors their Buffalo roots. They swing throughout their new album, The Big Dirty. Too bad singer Keith Buckley isn't capable of much more than screaming really fucking loud. Meanwhile, Australia's Parkway Drive steamrolls over Horizons with an abundance of genre clichés — including demons-from-hell vocals and finger-slicing solos. Both warm-up bands could use a dose of Killswitch Engage's occasional and rare subtlety.