Recent Articles

Recent Articles by Chris Parker

National Features >

  • Houston Press

    A Dirty Picture

    What mainstream publishers don't want you to know about door-to-door magazine sales.

    By Craig Malisow

  • Riverfront Times

    Welcome to Cougar Heaven

    When these huntresses on are on the prowl, the prey very much wants to be caught.

    By Unreal

  • Broward-Palm Beach New Times

    Sweet Deal

    How rumored McCain veep choice Charlie Crist wants to bail out Big Sugar.

    By Bob Norman

  • SF Weekly

    All-American Girls

    Are Asian women getting their jawbones cut to look whiter?

    By Lauren Smiley

Hot Chip

Made in the Dark (Astralwerks)

By Chris Parker

Published on February 06, 2008

Hot Chip's funky new-wave electro-pop can be super-snooty and way self-conscious. But face it — it's nearly impossible to play this sort of smirking dance pop without at least a hint of irony. Loaded with skittering beats, Made in the Dark's eclectic palette outstrips those of most electronic acts, alternating snappy and sleepy arrangements — most of which are cribbed from Roxy Music, Portishead, and a wild blend of northern soul, dance punk, and lovelorn pop.

Not everything on the London quintet's fourth album works, but it does cut a wide swath — from the calypso big-beat of "Shake a Fist" to "Bendable Poseable"'s krautrock robotics. Some of the drowsier soft-rock moments — like the minimalist electro-funk of "We're Looking for a Lot of Love" and the title tune, a piano ballad — will please Mamma Mia! fans, but the New Order-like "One Pure Thought" and bouncy R&B of "Wrestlers" more than make up for those. Hot Chip's smart, genre-plundering productions sound so self-satisfied and perky, it's little wonder they're sometimes called precious. But you'll be too busy shaking your head and ass to care.