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Recent Articles by Mark Keresman
With Ernie Halter. Monday, June 9, at the Beachland Tavern.
Lookout Mountain, Lookout Sea (Drag City)
Jim (Warp)
Friday, March 14, at the Winchester, Lakewood, and Saturday, March 15, at the Kent Stage, Kent.
Volume One (Merge)
National Features >
Broward-Palm Beach New Times
For Florida's sole remaining sex surrogate, love is a many splintered thing.
By Michael J. Mooney
City Pages
It's not just giant companies cashing in on America's defense industry.
By Jeff Severns Guntzel
The Pitch
How a throwaway idea at the Barkley ad agency became the "Sonic Guys."
By Justin Kendall
Houston Press
A diner's guide to Texas's oldest Mexican restaurants.
By Robb Walsh
Free Form Funky Freqs
Urban Mythology Volume One (Thirsty Ear)
Published on February 13, 2008
There was a time when you'd say "power trio," and every rock fan knew what you were talking about: bands like Cream and ZZ Top, which used the basic setup of guitar, bass, and drums, added a splash of blues, and then let it all rip with tons of guitar solos. Punk practically put an end to all that, until indie-rock groups like Dinosaur Jr. made fret-shredding cool again. Free Form Funky Freqs — a power trio fronted by Living Colour guitarist Vernon Reid — summarizes the history of the genre on Urban Mythology Volume One, but with more jazz licks and less show-offy excess. Reid's speedy soloing and chunky riffing recall Eric Clapton and Jimi Hendrix in their primes. He also unleashes noises in "Street Corner Prophecy" that could warm the heart of Sonic Youth fans. Jamaaladeen Tacuma's funky, rippling bass and drummer G. Calvin Weston's slam-bash action provide rhythmic momentum while keeping Urban Mythology grounded. FFFF meanders and doodles from time to time (especially in the plodding "Ghost Sign Crossroad"), but its level of inspiration is consistently high.