Recent Articles

Recent Articles by Mark Keresman

  • Josh Hoge

    With Ernie Halter. Monday, June 9, at the Beachland Tavern.

  • Silver Jews

    Lookout Mountain, Lookout Sea (Drag City)

  • Jamie Lidell

    Jim (Warp)

  • Dave Cousins

    Friday, March 14, at the Winchester, Lakewood, and Saturday, March 15, at the Kent Stage, Kent.

  • She & Him

    Volume One (Merge)

National Features >

  • Broward-Palm Beach New Times

    Sexual Healing

    For Florida's sole remaining sex surrogate, love is a many splintered thing.

    By Michael J. Mooney

  • City Pages

    Your Friendly Neighborhood War Profiteer

    It's not just giant companies cashing in on America's defense industry.

    By Jeff Severns Guntzel

  • The Pitch

    Supersizing Sonic

    How a throwaway idea at the Barkley ad agency became the "Sonic Guys."

    By Justin Kendall

  • Houston Press

    Temples of Tex-Mex

    A diner's guide to Texas's oldest Mexican restaurants.

    By Robb Walsh

Free Form Funky Freqs

Urban Mythology Volume One (Thirsty Ear)

By Mark Keresman

Published on February 13, 2008

There was a time when you'd say "power trio," and every rock fan knew what you were talking about: bands like Cream and ZZ Top, which used the basic setup of guitar, bass, and drums, added a splash of blues, and then let it all rip with tons of guitar solos. Punk practically put an end to all that, until indie-rock groups like Dinosaur Jr. made fret-shredding cool again. Free Form Funky Freqs — a power trio fronted by Living Colour guitarist Vernon Reid — summarizes the history of the genre on Urban Mythology Volume One, but with more jazz licks and less show-offy excess. Reid's speedy soloing and chunky riffing recall Eric Clapton and Jimi Hendrix in their primes. He also unleashes noises in "Street Corner Prophecy" that could warm the heart of Sonic Youth fans. Jamaaladeen Tacuma's funky, rippling bass and drummer G. Calvin Weston's slam-bash action provide rhythmic momentum while keeping Urban Mythology grounded. FFFF meanders and doodles from time to time (especially in the plodding "Ghost Sign Crossroad"), but its level of inspiration is consistently high.