Recent Articles

Recent Articles by Mark Keresman

  • Josh Hoge

    With Ernie Halter. Monday, June 9, at the Beachland Tavern.

  • Silver Jews

    Lookout Mountain, Lookout Sea (Drag City)

  • Jamie Lidell

    Jim (Warp)

  • Dave Cousins

    Friday, March 14, at the Winchester, Lakewood, and Saturday, March 15, at the Kent Stage, Kent.

  • She & Him

    Volume One (Merge)

National Features >

  • Broward-Palm Beach New Times

    Sexual Healing

    For Florida's sole remaining sex surrogate, love is a many splintered thing.

    By Michael J. Mooney

  • City Pages

    Your Friendly Neighborhood War Profiteer

    It's not just giant companies cashing in on America's defense industry.

    By Jeff Severns Guntzel

  • The Pitch

    Supersizing Sonic

    How a throwaway idea at the Barkley ad agency became the "Sonic Guys."

    By Justin Kendall

  • Houston Press

    Temples of Tex-Mex

    A diner's guide to Texas's oldest Mexican restaurants.

    By Robb Walsh

Headlights

With Evangelicals. Monday, March 3, at the Beachland Tavern.

By Mark Keresman

Published on February 27, 2008

Whether they admit it or not, today's indie-rockers owe a lot to '60s radio poppers. Immediate hooks, sweet/sensitive singing, and lean song construction (make your point in three minutes or less) are hallmarks of both eras' greatest hits. But what separates nostalgia from inspiration is how the new kids apply these traits. Headlights' translucent harmonies recall the Hollies, Searchers, and way too many '60s girl groups to list. You can even hear Phil Spector's Wall of Sound in the Illinois trio's layered instrumental chimes. But these are the mere raw materials Headlights works with. The band assembles all of them into sleek, cyclic song structures, built around guitars that clang as much as they twang. And that's something that never goes out of style.