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With Ernie Halter. Monday, June 9, at the Beachland Tavern.
Lookout Mountain, Lookout Sea (Drag City)
Jim (Warp)
Friday, March 14, at the Winchester, Lakewood, and Saturday, March 15, at the Kent Stage, Kent.
Volume One (Merge)
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For Florida's sole remaining sex surrogate, love is a many splintered thing.
By Michael J. Mooney
City Pages
It's not just giant companies cashing in on America's defense industry.
By Jeff Severns Guntzel
The Pitch
How a throwaway idea at the Barkley ad agency became the "Sonic Guys."
By Justin Kendall
Houston Press
A diner's guide to Texas's oldest Mexican restaurants.
By Robb Walsh
Headlights
With Evangelicals. Monday, March 3, at the Beachland Tavern.
Published on February 27, 2008
Whether they admit it or not, today's indie-rockers owe a lot to '60s radio poppers. Immediate hooks, sweet/sensitive singing, and lean song construction (make your point in three minutes or less) are hallmarks of both eras' greatest hits. But what separates nostalgia from inspiration is how the new kids apply these traits. Headlights' translucent harmonies recall the Hollies, Searchers, and way too many '60s girl groups to list. You can even hear Phil Spector's Wall of Sound in the Illinois trio's layered instrumental chimes. But these are the mere raw materials Headlights works with. The band assembles all of them into sleek, cyclic song structures, built around guitars that clang as much as they twang. And that's something that never goes out of style.