Recent Articles

Recent Articles by Michael Gallucci

National Features >

  • Broward-Palm Beach New Times

    Sexual Healing

    For Florida's sole remaining sex surrogate, love is a many splintered thing.

    By Michael J. Mooney

  • City Pages

    Your Friendly Neighborhood War Profiteer

    It's not just giant companies cashing in on America's defense industry.

    By Jeff Severns Guntzel

  • The Pitch

    Supersizing Sonic

    How a throwaway idea at the Barkley ad agency became the "Sonic Guys."

    By Justin Kendall

  • Houston Press

    Temples of Tex-Mex

    A diner's guide to Texas's oldest Mexican restaurants.

    By Robb Walsh

Jeffrey Lewis

12 Crass Songs (Rough Trade)

By Michael Gallucci

Published on March 12, 2008

The dozen tracks on N.Y.C. hipster Lewis' fourth album have nothing do with insensitive comments about your mom. Rather, Crass was a late-'70s punk group from England that was way more committed than any of its peers to bringing down Parliament and everything else the British political system had to offer. So 12 Crass Songs is exactly that: quarter-century-old punk tunes covered by Lewis. But the marble-mouthed singer doesn't merely plug in and recreate the songs note for note; he unplugs and offers wordy tracks like "End Result," "Systematic Death," and "Do They Owe Us a Living?" as folksy sing-alongs. If anything, the sociopolitical musings ring more clear on 12 Crass Songs than they ever did on Crass' own albums, where the blistering guitars and thickly accented vocals tended to obscure the messages. The disc drips with irritating boho cool — Lewis' deadpan delivery and Helen Schreiner's backing vocals occasionally recall the Moldy Peaches at their most annoying — but it rarely interferes with this earnest tribute.